Skip to main content

A very public attempt 3

At Understanding Poetry

I loved Tulips. You do not need to know about the tragic life of Plath to be moved by it. It is not decorous. It is not trying too hard. There is an honesty in the poet's 'voice' and the words just fall gracefully in place.



Which brings me to my next offering. Try this one.

Being Boring
If you ask me 'What's new?', I have nothing to say
Except that the garden is growing.
I had a slight cold but it's better today.
I'm content with the way things are going.
Yes, he is the same as he usually is,
Still eating and sleeping and snoring.
I get on with my work. He gets on with his.
I know this is all very boring.

There was drama enough in my turbulent past:
Tears and passion-I've used up a tankful.
No news is good news, and long may it last,
If nothing much happens, I'm thankful.
A happier cabbage you never did see,
My vegetable spirits are soaring.
If you're after excitement, steer well clear of me.
I want to go on being boring.

I don't go to parties. Well, what are they for,
If you don't need to find a new lover?
You drink and you listen and drink a bit more
And you take the next day to recover.
Someone to stay home with was all my desire
And, now that I've found a safe mooring,
I've just one ambition in life: I aspire
To go on and on being boring.
- Wendy Cope

I bet most of you would have liked it. But it may not be in the realms of grand, classical poetry for some. Why? Because its subject matter is not some obscure thought but the crushingly mundane? Which leads me to wonder if can you write about dog shit and still call it poetry.

Comments

shyam said…
She's written about my life, so I love it :) I like simple poetry too... and if anybody can write a poem about dog shit in an engaging way, then hats off to that person! :) Writing about the mundane - and keeping the reader's interest - is probably harder than writing about higher philosophy.
Madura said…
Yes loved it. I think it is the attitude, may be some go for the spirit of the poem, some go for the structure and some for the sophistication - I think I belong to the gang who like the spirit or the attitude of the poet.

You gave me a blog idea.

I am going to write a blog on dog shit now!!! :) Not a poem.
Only broken prose!
Falstaff said…
'Poems' like this really give me a pain
They sends me in search of a doctor;
They're trite, they're glib, they're oh-so-plain
And have all the excitement of dog turds.
If you're just killing time you could do worse
Like drinking or going out whoring
But poetry? No, just pretty verse
And frankly, my dear, quite boring.
Falstaff said…
I think the real question is - what are you looking to get out of poetry? If all you want from 'poetry' is light entertainment - poetry as sitcom - then this poem will serve perfectly; not even the sternest critic will deny Cope her charm and her facility with verse. But if you want poetry to achieve the status of art, if you want it to surprise and challenge, thrill and move, if you want reading a poem to feel like a discovery, and demand that the poem show you new and deeper meanings with each new reading, if you want a poem to be something you can meditate over rather than just consume, then this is not it. You have only to compare this poem to Tulips to see how Plath's poem is infinitely richer and more beautiful. Whether or not you're amused by the Cope is largely irrelevant.
WA said…
Boring is cool. I liked the poem, i liked the fact that i could understand it for starters.
Madura said…
I think this poem falls under the idea of "existentialism" - though the poet may not have intended it, it seems so for the reader in me.

To quote from wikipidea - the work of all philosophers who fall under this ism "their work focused on such themes as "dread, boredom, alienation, the absurd, freedom, commitment, and nothingness" as fundamental to human existence"

I have always admired the rebel behind the existentialist thought ... The utter frankness and total acceptance of what a person is without any inner meaning or essence to dig into! :)
austere said…
It didn't stretch me, didn't make me dig for meaning where there is none intended. Perhaps because its all there, on paper, its all told?
For instance, if these lines even hinted at the ignominy, the dreariness of being boring, the vacuous inertia that sets in- it could have taken us someplace else, but it doesn't. A start, and finish and that's that. Stuff like this I call "A for apple" .
It wasn't deep or thought provoking. But it was lyrical and whimsical in a completely inane way. I liked it but it's not something I'd call Poetry.
Akira said…
Phew this one made sense at least! :p ....as mentioned in the earlier comments, this struck to me as a simple straightforward poem...no hidden meaning...didn't feel the need to delve further into whats n whys and hows..

You Might Also Like

Voicing Silence 1

There is no nice way of saying this so I will say it as brutally and as unvarnished as it needs to be said. I was sexually assaulted when I was ten and a half years old. While I recall the precise details of what happened that night, much of what happened in the immediate aftermath, I have little memory of. In the days and months that followed, I became increasingly angry. I would smash things, kick people, yell, scream and throw a tantrum at the drop of a hat. I was labelled difficult and called names. Rakshasi was a regular epithet and it clung to me like an dirty scent.

There were so many incidents of rage from those years and most involved destruction of some sort. I once lost a card game and went about meticulously ripping up an entire pack of cards much to the amusement of the gathered extended family. There was some other minor provocation which ended in a lovely red dress which was a gift from abroad being shredded to pieces, again to a mute audience

Word got around that I wa…

Voicing Silence 7

(To get a background on this series, I suggest you start with the first post here and then scroll up)

Headphones recommended




(Click on image for link or click here)
Written and narrated by  Abhi Arumbakkam
Animation and edit  Lucy Lee
Sound Louise Brown
Music Nefeli Stammatogianopoulu & Stelios Koupetoris



Sivaji, Jayalaitha And Us

I first noticed it when Sivaji Ganesan passed away. As someone born in the 70s, much of my growing years was marked by the rituals of Sunday evening Tamizh cinema and Friday night Oliyum Oliyum. And Sivaji Ganesan was a permanent fixture in them. Anyone who was melodramatic was a 'Sivaji' and rhymes like 'Sivaji vayile jilebi' were very much part of our book of nonsense rhymes.

So much so, I remember being fourteen and being part of the school drama team enacting a popular scene from Sivaji's Thiruvilayadal. It was a plum role that we all vied to play. Sivaji played Lord Shiva in the movie and in our minds, he might as well have been immortal. So years later, when news broke that he had died, I was in utter shock. Heck, I was not even a fan. Apart from Motor Sundaram Pillai and more recently, Thevar Magan, in every one of his movies, I felt Sivaji had outacted the entire cast. As if to tell the producers, you've paid me a lot, so let me give you your money'…

Tide - 17

Part - 17 “Are you waiting for me, Kamakshi?”, asked Padmaja a little breathless from climbing the stair case. She had never been particularly slim. But lately, she had noticed a tightening of her blouses, particularly around her upper arm that she taken to using the stairs over the lift.
“Hmm? Everything okay? Why do you want me to keep quiet? What is the matter, Kamakshi?”, Padmaja reeled off questions with mounting alarm.
“It's nothing”, hissed Kamakshi between gritted teeth guiding her neighbour by the arm away from her own door. “Come in to my house. I need to tell you something, Padmaja”.
And once inside, Kamakshi's behaviour was even more erratic. She said something about a letter and answering and now meeting someone and the man waiting for her at home.
“Where?”, demanded Padmaja.
Kamakshi silently pointed her finger at her neighhour.
“Where? In my house?”
Kamakshi nodded.
“Have you gone mad, Kamakshi? I gave you the keys in case you don't see me for days a…

What Would You Do?

This afternoon, I went to our local leisure centre to use their steam room and sauna. I had an hour to kill before it was time to collect my son and the leisure centre is across the road and I couldn't think of a better way to spend a tenner and so I went. No sooner had I settled into a corner of the steam room than I heard a voice ask me, 'are you from India?'. Yes, I nodded before it struck me that if I couldn't see the person clearly neither could he. Yes, I said. To this he (by now I could make out a dim outline of a man) volunteered in a very heavy accent 'My country Bangladesh' and then went on to ask me if I lived locally and if I was living with my family (yes and yes, I answered) and told me that he worked in a local Indian restaurant as a chef and that I should visit them if I hadn't already.

Having exhausted his arsenal of polite questions to ask a rank stranger, he fell silent. Shortly, I left the steam room to take a shower before dipping into…

Tide - 7

Part 7

Dear Mrs,
With regards to your advertisement in last Sunday's Hindu. My name is Mr.S.G.Santhanam. I am 65 years old. I retired in 2007 after 40 years of service in the Indian Railways. My daughter and my son are both married and settled abroad. I am in good health except for slightly high blood pressure. Last year I have undergone an operation for a growth in my retina and now my eyesight is better than it has ever been. I follow a strict vegetarian diet (no oinions no garlic) and I have managed to bring down my cholestrol levels also. Recently I have suffered from pain in my hips and my doctor has adviced me to go for a hip replacement operation which I am due to have some time in the next month. So if you reply to my letter, I can arrange to meet you before I check in to the hospital as I will have to be in bed rest for 6 weeks after my operation. I have also attached a photo of myself with this letter. This was taken before I had my new set of teeth.
Your's sincere…

Voicing Silence 4

(To get a background to this series of posts, I suggest you read the first one here, the second one here and the third one here)

Some years ago, my mother mentioned to me that she had attended my sexual assaulter's Sashtiabdapoorthy and I was appalled. This filthy beast was a pillar of the society and had had the temerity to invite my parents to its (no human pronoun for it) birthday celebration. Suffice to say I was apoplectic.

It was also around this time that the whole sordid episode of Jimmy Savile came to light and I had a thought. I began to wonder if I could take my abuser to court on historic sex abuse charges.

For days I fantasised about dragging the filthy piece of shit to court and have it look me in the eye as I would recall in graphic detail what it had done to me. Then, I would watch with glee as it lost its house, its job, its status in the society and delight in the gradual unravelling of its life.

I would have my perfect revenge. I would be able to show it that i…

Voicing Silence 3

(To get a background to this series of posts, I suggest you read the first one here and the second one here.)

In the intervening years since my assault, the whispers grew ubiquitous. Hushed conversations from scarred friends who all talked in coded language about what had happened to them. I should have stopped becoming angry but I just couldn't. Instead I channeled all my rage into the blows I rained on the random stranger who once groped me as I was walking past him one evening when I was in my early twenties. The nonchalance with which another pervert thought he could get away with pinching my breasts made me chase after him faster. But I could rarely sustain the rage which would blaze fiercely and frequently but never long enough for anything positive to emerge. There were no planned course of action to follow through, it was largely fire fighting on a daily basis.

And then something happened a decade ago which reminded me of what triggered my anger all those years ago. I won…

Voicing Silence 2

(To get a background to this series of posts, I suggest you read the first one here)

I realised, almost instinctively that what had happened to me was not a one-off. A casual conversation with a cousin revealed that she too had been touched by the same person. She didn't give me details but all she said was, "that one, him, you know...he's a devil" and gave me an almost imperceptible nod. A secret code that meant that she knew about what had happened to me too. It was our shared language of shame, wrapped in silence and consigned to the deep recess of our minds.

Every now and then the incident would get an airing but I would almost dismiss it by making light of it. During joint studies with classmates from the 11th and 12th standard, two of them talked about the improper touching that had happened to them as children with an almost casual aloofness that I added my incident (for it was now entombed and labelled as Exhibit A in my mind) to the mix. Being abused was so…

Voicing Silence 5

(To get a background to this series of posts, I suggest you read the first one here, the second one here, the third one here and the fourth here)

For years I had been wondering how to articulate my trauma. And then, a little while after I'd moved to the UK, I'd done courses in documentary film-making and had started telling factual stories. Could there be a possibility there? What purpose would retelling a personal story in all its gory detail serve? And is this what I wanted?

In 2013 I watched Yael Farber's Nirbhaya in Edinburgh to an auditorium full of sobbing men and women. I found its portrayal in all its attendant specifics and bit too real. Even the actors playing it had each suffered horrific abuse and it was their own story that was being told. It was discomfiting and I knew I didn't want to go down that route.

A year or so later, I met with Leslie Udwin, director of the documentary India's Daughter, the day
after it had been banned in India. Leslie was de…